Friday, December 05, 2008
Saturday, February 24, 2007
Friday, February 23, 2007
Thursday, November 23, 2006
A little out of sequence as there is some older stuff I mean to post soon but here is a pic from a pyro set I did in Bristol a weekend ago.
Standard stuff, just bullet hits and such but this is a clot .45 which I rigged up to have muzzle flash. The gun is being held by Dave Caunce, who was assisting me on the day.
Click on the image to see it full size.
Standard stuff, just bullet hits and such but this is a clot .45 which I rigged up to have muzzle flash. The gun is being held by Dave Caunce, who was assisting me on the day.
Click on the image to see it full size.
Tuesday, July 04, 2006
Yahoo! ad.
For a commercial for the web company Yahoo I was asked to provide some facial and dental prosthetics as well as a figurative drop in piece.
Conditions were insane, having to use a tiny corridor on a houseboat as both prosthetics and makeup space in boiling heat with one chair and with no work surfaces.
The actor, a chap called Milan, did very well under all that costume / beard / makeup in such temperatures.
The last picture is a digital composite.
The beard was applied by Grace Sargent.
Click on any picture to see full size.



For a commercial for the web company Yahoo I was asked to provide some facial and dental prosthetics as well as a figurative drop in piece.
Conditions were insane, having to use a tiny corridor on a houseboat as both prosthetics and makeup space in boiling heat with one chair and with no work surfaces.
The actor, a chap called Milan, did very well under all that costume / beard / makeup in such temperatures.
The last picture is a digital composite.
The beard was applied by Grace Sargent.
Click on any picture to see full size.



Monday, June 12, 2006
Sunday, April 02, 2006
Phobias
A short film starring comedian Paul Kay needed a silicone replica of the lower portion of the actors face for a beard gag.
The entire thing was a bit of a rush, done as a favour by myself in the evenings during my working at Madam Tussaudes.
Artem were kind enough to lend us their workshops for the mould work portion of the project.
Here I'm laying the clay for the core of the piece (click images for full size):

Here I am, painting the silicone piece:

Still shiny, because it's not yet been powdered off, this is the painted piece.
A short film starring comedian Paul Kay needed a silicone replica of the lower portion of the actors face for a beard gag.
The entire thing was a bit of a rush, done as a favour by myself in the evenings during my working at Madam Tussaudes.
Artem were kind enough to lend us their workshops for the mould work portion of the project.
Here I'm laying the clay for the core of the piece (click images for full size):

Here I am, painting the silicone piece:

Still shiny, because it's not yet been powdered off, this is the painted piece.
Bits and bobs.
Sculpted in wet clay as a homage to the film Nightbreed this sculpt took about 5 1/2 hours.


This giant ear (about a meter long) was made for no reason other than to see how fast I could sculpt it and because I like the shapes that occur in ears. It took two hours.

This was a quick latex an poly-foam pull from a plaster mould. The piece was for nothing in particular and was sculpted in wet clay.

This head (held here by Rob Berry) was made for a feature but sadly never finished because of lack of payment. It had a mechanical jaw that could open and close made by Richard Fosh.

This was sculpted from a clay press of a mould taken from a damaged old life cast of the actor Doug Bradley.
The finished piece is now in Bronze resin.

I painted the eye in this dinosaur:
Sculpted in wet clay as a homage to the film Nightbreed this sculpt took about 5 1/2 hours.


This giant ear (about a meter long) was made for no reason other than to see how fast I could sculpt it and because I like the shapes that occur in ears. It took two hours.

This was a quick latex an poly-foam pull from a plaster mould. The piece was for nothing in particular and was sculpted in wet clay.

This head (held here by Rob Berry) was made for a feature but sadly never finished because of lack of payment. It had a mechanical jaw that could open and close made by Richard Fosh.

This was sculpted from a clay press of a mould taken from a damaged old life cast of the actor Doug Bradley.
The finished piece is now in Bronze resin.

I painted the eye in this dinosaur:
One Way Ticket To Hell... And Back - Darkness
I assisted the illustrious John Schoonraad with the life casting and prosthetics for the music video for The Darkness and made and fitted the dental prosthetics myself.
Click on an image to see full size.

Here I am on set fitting Justin with the teeth:

Here's the video:
I assisted the illustrious John Schoonraad with the life casting and prosthetics for the music video for The Darkness and made and fitted the dental prosthetics myself.
Click on an image to see full size.

Here I am on set fitting Justin with the teeth:

Here's the video:
Degree project
For my Special Effects Design degree at LSBU I made this pair of feet.
I got a first!
Click on the pictures to see full size.

The point of the degree project was the pigmentation rather than the feet themselves.
I developed a way to remotely control the colour of the piece, here giving the impression of death / loss of blood.

This is an alternate pair of feet made for a French horror short. They wanted them to look fried.

I actually got featured on the front page of the Guardian Education Supplement at my degree show.
For my Special Effects Design degree at LSBU I made this pair of feet.
I got a first!
Click on the pictures to see full size.

The point of the degree project was the pigmentation rather than the feet themselves.
I developed a way to remotely control the colour of the piece, here giving the impression of death / loss of blood.

This is an alternate pair of feet made for a French horror short. They wanted them to look fried.

I actually got featured on the front page of the Guardian Education Supplement at my degree show.
Ruth's Tooth
A short film made at Henson's Creature Shop by Clair Tinsly and Brek Tailor.
For this I designed and made both large scale puppet and life size prosthetic teeth props and large scale dental tools.
Click on an image to see full size.

The 10X scale puppet mouth, to be filmed from the inside with removable teeth and a puppet tongue.

The prosthetic teeth were made to be removable too.



A short film made at Henson's Creature Shop by Clair Tinsly and Brek Tailor.
For this I designed and made both large scale puppet and life size prosthetic teeth props and large scale dental tools.
Click on an image to see full size.

The 10X scale puppet mouth, to be filmed from the inside with removable teeth and a puppet tongue.

The prosthetic teeth were made to be removable too.



Young Alexander
for this low budget feature, filmed in Egypt, I was commissioned to make three pairs of identical wings, one set would fold out from behind the actor, one set were light weight for wire work and one set would break the same way every time for a fall.
here they are modelled by a Klepto' from my then university.
Click on the images to see at full size.

for this low budget feature, filmed in Egypt, I was commissioned to make three pairs of identical wings, one set would fold out from behind the actor, one set were light weight for wire work and one set would break the same way every time for a fall.
here they are modelled by a Klepto' from my then university.
Click on the images to see at full size.

Awesome Sound
A cheap and cheerful short made in 45 minutes. A couple of basic effects in this one, which, thinking about it, is older that Dirt (below) as I edited this one on two video recorders.
A cheap and cheerful short made in 45 minutes. A couple of basic effects in this one, which, thinking about it, is older that Dirt (below) as I edited this one on two video recorders.
Dirt
This is a short film I directed and wrote with Jon Sharpin. There are a couple of small effects in it, my favourite being the burning finger tips.
In hindsight it's a bit long. One day I may edit it down a bit.
This is a short film I directed and wrote with Jon Sharpin. There are a couple of small effects in it, my favourite being the burning finger tips.
In hindsight it's a bit long. One day I may edit it down a bit.
Virus 2040
This is a silicone chest for the student film Virus 2040, it belongs to a robot who has his head ripped off.
Click on any image to see it full size.

This is the chest out of costume:

Here is a pair of silicone boobs for a broken neck gag being kindly modeled by my friend Lorien:

Here is the same piece during colouring:

Here is a close up of the nipple, it's a bit blurry but I like the photo.
This is a silicone chest for the student film Virus 2040, it belongs to a robot who has his head ripped off.
Click on any image to see it full size.

This is the chest out of costume:

Here is a pair of silicone boobs for a broken neck gag being kindly modeled by my friend Lorien:

Here is the same piece during colouring:

Here is a close up of the nipple, it's a bit blurry but I like the photo.
McPurgatory
This was a short by Travis Dean, a friend with whom I worked quite a lot back then, in 2000.
The man's makeup was for a mirror reveal that he has been caught up in a car accident and is dead, the kid appears briefly in the background as someone he killed in the crash.
Click on the images to see them in fill size.


This was a short by Travis Dean, a friend with whom I worked quite a lot back then, in 2000.
The man's makeup was for a mirror reveal that he has been caught up in a car accident and is dead, the kid appears briefly in the background as someone he killed in the crash.
Click on the images to see them in fill size.


Fantom Kiler
These pics are from a "Polish" horror film called Fantom Kiler 3 (sic).
Actually from before the Cradle Of Filth stuff this third installment in a rather grotty horror series needed a few chain-saw effects that their regular FX guy couldn't supply, I ended up slicing this one guys arm off, slashing another guy across the stomach and stabbing someone in the leg with a screwdriver.
Click on the images to see full size.

These pics are from a "Polish" horror film called Fantom Kiler 3 (sic).
Actually from before the Cradle Of Filth stuff this third installment in a rather grotty horror series needed a few chain-saw effects that their regular FX guy couldn't supply, I ended up slicing this one guys arm off, slashing another guy across the stomach and stabbing someone in the leg with a screwdriver.
Click on the images to see full size.

Okay, been a while (not as long as last time, maybe) time to put up some more pictures.
I'll try to maintain some semblance of chronology.
Click on the image to see it in full size.

These are the test Polaroids from one of my first professional jobs back in 1999, a photo shoot for t-shirt designs for a Metal band.
I never got copies of the actual photos because shortly after the shoot Cradle Of Filth, the band for whom the pictures were taken) moved labels from Music For Nations to Sony and the master pictures vanished although I still see the t-shirts around Camden occasionally.
I'll try to maintain some semblance of chronology.
Click on the image to see it in full size.

These are the test Polaroids from one of my first professional jobs back in 1999, a photo shoot for t-shirt designs for a Metal band.
I never got copies of the actual photos because shortly after the shoot Cradle Of Filth, the band for whom the pictures were taken) moved labels from Music For Nations to Sony and the master pictures vanished although I still see the t-shirts around Camden occasionally.

































